“It’s rare to find someone who combines intelligence, creativity and a positive ‘can-do’ attitude in one package. Alison Fort brings all that to the table.”
“I am so glad that I found Alison. I love her attention to detail and ‘can-do’ approach. I am proud to call her a friend; and am looking forward to a long association.”
“From our first meeting she intuitively understood the essence of our business. She has become one of our business family and we truly value her work.”
“Alison is quick to grasp a brief, quick in creating innovative design solutions that meet the brief, and quick to apply the agreed design to the a wide range of materials…”
“Alison exceeds our expectations with her vision, creativity and foresight and gives easily her passion and integrity with every job.”
“She gets a brief and before you know it she’s shot back several ideas. Someone we couldn’t live without!”
“Her advice around my website, brochure and business card has always been spot-on and her relentless availability was fantastic as we were working to demanding deadlines.”
“Having worked with Alison on a number of projects I can only say what a pleasure it is to work with such a talented professional.”
“Alison brings a blend of honesty, reliability, innovation and creativity, which is packaged nicely with a wonderful dose of good old fashioned common sense.”
“Our experience of working with Alison is that she is very quick to grasp our requirements, and is very easy to work with to achieve our desired goals.”
“As well as being highly skilled and very experienced, she is quick on the uptake and gets on well with anyone.”
“As well as the great results, I absolutely love working with her. Actually, she’s so good I wish she’d remain a bit of a secret!”
“Alison is great to work with – very friendly, professional and flexible. She keeps you in the loop while on an assignment so you know what stage she’s working on at any given time.”
“I have no hesitation in recommending Alison to any of my clients who request graphic design that will make their company stand out.”
“Without Alison’s imaginative flair and ability to interpret our wishes, we wouldn’t have the fabulous website we now have.”
“Alison offers a great design service that provides innovative solutions in a timely manner.”
“Alison is a gem to work with. She listens to your desired outcomes, provides realistic timelines, works efficiently (without drama), doesn’t charge exorbitant prices, loves to laugh…”
“Alison is talented, experienced and intuitive. She is wise enough and skilled enough to take my semi-coherent babble and interpret it, then promptly create the designs I need.”
“The thing that strikes me most about Alison is her ‘can-do’ attitude to all projects she works on, no matter how big or small.”
“To improve the service she provides further Alison will need to consider cloning.”
“Her ability, personality and dedication speak for themselves in ensuring great outcomes for employers and clients alike.”
“I’ve known Alison for over 20 years and she is a pro-artist. She is a solid designer who works through the night to get the results.”
“Alison was my ‘go-to’ person for graphic design. I LOVED and so appreciated her friendly nature, ‘can-do’ attitude and quick responsiveness.”
“She had no trouble in adapting to the style of work we needed to produce and always managed to create imagery that was fresh and interesting.”
“If you want to be a step ahead then you should not hesitate to call Alison Fort – she is brilliant and ahead of her game.”
“While her work speaks for itself, her speed, efficiency, dedication and ability to interpret a brief are the added extras that step her even further in front of the pack.”
“My own business has grown significantly since I met Alison as a result of the fine quality of her graphic work, her patience and the people connection which she shares…”
“If you have a good product you need to present it to your audience in the best possible light. Our Festival had been struggling to achieve this until Alison came on board.”
“Brilliant, professional and ahead of the pack. She delivers high-quality work with flair and passion, every time. Nothing is too much trouble.”
“… we have been enormously fortunate to benefit from the work of such an exceptionally inventive, skilled and meticulous artist…”
A client of mine was
breaking away to start her own endeavour as a midwife providing holistic
pregnancy, birth and postnatal care to women and their families. She
came to me with a fabulous concept that needed refining, and with a
little magic, her beautiful new logo was born! This was then applied to
stationery, flyers, advertising, product labelling and a website (a
collaboration with Urszula Richards, onlineiq), all designed to reflect
the
‘earthiness’ of her own approach.
Marketing collateral including factsheets, advertising, brochures, a limited edition DM piece, a-frames and signage. Working again with Creative Director Kym Liebig (Copyriot/ACA).
Applications were sought by the Council from the local creative arts and design community to develop a new design scheme and logo concept for ‘Christmas in the City’ to be applied to a number of materials. Part of the design brief asked for the concepts to have a uniquely Adelaide look and feel. For my submission I chose to simplify Adelaide’s iconic Mall’s balls, thus also representing baubles, which are iconic of Christmas. Not a winner with the Council, but I am happy and think the concept works a treat!
Event program, promotional material, signage, banners and other collateral for a prominent international cello festival. A connection formed during my time partnering with Elder Hall, designing their concert programs and marketing collateral.
Having worked with Claire Oremland for many years whilst she was Concert Manager at Elder Hall, and building up a very strong collaborative working relationship, I was absolutely thrilled to have the opportunity to work with her again, this time creating fresh collateral for the Adelaide Youth Orchestras (AdYO) concert season. The new look came together nicely in the form of brochures, flyers, posters, banners, programs, advertising and website graphics.
Website design (no longer active) in collaboration with onlineiq, and stationery, signage and marketing collateral, for a Sydney-based medical device development company.
Logo design, stationery and marketing collateral for a UK company, specialising in archtectural rendering, scale models and walk-through animations, setting up an office in Melbourne.
Sub-brand logo development, signage and marketing collateral for a
Sydney-based company specialising in innovative integrated
communications solutions.
Originally working with TMP Worldwide in Adelaide to create a brand
identifier/logo for the Olympic Dam Expansion, which culminated in an
extensive usage guidelines document, as well as working with the Sydney
branding team in the creation of recruitment campaigns, ad templates and a brochure.
Following on to work direct and design internal signage and pull-up
banners for the BHP Billiton office here in Adelaide.
Originally working with TMP Worldwide in Adelaide to create a brand
identifier/logo for the Olympic Dam Expansion, which culminated in an
extensive usage guidelines document, as well as working with the Sydney
branding team in the creation of recruitment campaigns, ad templates and a brochure.
Following on to work direct and design internal signage and pull-up
banners for the BHP Billiton office here in Adelaide.
Logo and brand development for a new clearance house operating out of shopping centres in the Adelaide metropolis. The project included brainstorming the name and concept for the brand,
designing the logo and applying this to promotional material, signage,
ticketing and t-shirts.
Logo development, stationery and web design (in collaboration with onlineiq) for popular Melbourne-based chamber musicians with a‘twist’. A connection formed during my time partnering with Elder Hall, designing their concert programs and marketing collateral.
Back working with Mark
Folland from Folland Panozzo Architects on the rebadging and rebranding
of the Flagstaff on Franklin, into the revitalised Benjamin on Franklin.
The brief was minimal, tradition with a twist. Contemporary classic.
The result, a wonderful juxtaposition of the timeless and the times in
which we live. The logo/brand was then applied to stationery, menus and function packs,
signage and marketing collateral.
Peter came to me initially on recommendation from another engineer (also called Peter), to engage me as designer for the company he was then working for. Ultimately he branched out on his own, and then approached me to design his logo and stationery.
Initially I was introduced to CRANAplus by one of my printers, whilst at the same time referred by another client, and was then engaged to revamp their quarterly magazine. This was back in early 2010 and I have had the pleasure of working with them ever since, working across all their collateral, including annual reports, annual conference programs and other conference materials, course training manuals, posters and flyers, advertising and stationery. I am happy to have built up strong, collaborative working relationships with many members of staff across the country, and am proud and happy to be part of the CRANAplus team.
Promotional material including mailers, tent cards, posters, door and floor signs, EDM and web banners for seasonal shopping centre marketing campaigns.
Complete rebrand including logo design, stationery and advertising for one of my favourite shops in Main Street, Normanville. Shame it is no longer there – we all miss it!
After a very serendipitous series of happenings, which started with me inviting Prue Gorman (Executive Officer of CLP) to connect with me on LinkedIn (and her accepting), I was engaged to work on the 2013–2014 CLP annual report, a special edition commemorating 30 years. And I was thrilled to again be asked to work on their annual report for 2014–2015, and 2015–2016. Lovely project, great people and what a cause!
Design of business card and a simple and stylish portfolio website, developed by Amplifi Creative on a template platform, for a prolific Melbourne-based artist. Love his work!
Logo/branding for an exciting new concert series for Elder Hall. With the introduction of newly-built screens to divide the hall’s seating capacity, a space was created where audiences could enjoy a more ‘intimate’ experience.
Another very seredipitous connection. Whilst in the Clare Valley back in 2009, with a friend/client Lorraine McLoughlin (who was promoting her then recently self-published bookBarbara Robertson: An Australian artist’s life), and her husband Peter Fitzgerald (an amazing artist), I stumbled upon the cellar door at Eldredge Vineyards before (or maybe after ) lunch at Skillogalee with Peter. Winemaker Leigh Eldredge greeted us warmly and talked us through the wines with knowledge and passion, and asked what we were up to. Anyway, one thing led to another, and I was engaged to update the design of their labels for the next bottling of their wonderful (award-winning) wines. The design is still in use today and the wines are just as fabulous, if not (maturingly) better!
Logo design and stationery for an amazing start-up business aimed at increasing fitness, confidence and (heathly) competition through all things cycling.
International launch campaign for the marine fuels division of newly-merged Exxon Mobil. The campaign appeared in global shipping trade press where it achieved major stand-out over other advertisers and editorial.
Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist’s life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon ‘icon’ is taken from a painting by George Tetlow, one of the subjects in Lorraine’s recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a patron of this wonderful Festival. Roll on 2021!
Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist's life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon 'icon' is taken from a painting by George Tetlow, one of the subjects in Lorraine's recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a Patron of this wonderful Festival. Roll on April!
Having worked with Mark Folland of Folland Panozzo Architects on the Largs Pier Hotel rebranding project, I was approached to design their own logo and implement this across stationery, signage and a website.
The HCSA approached me initially to design their logo and website (another collaboration with onlineiq). Their new brand was then implemented across stationery, marketing collateral, PowerPoint templates and pull-up banners, culminating in a comprehensive brand guidelines document, to ensure brand integrity into the future.
History Council of South Australia (HCSA) : Website
When approached about this project I was immediately passionate and believed that it would revolutionise my life. As soon as Donna opened her doors, I was there! And I kept going back. Home-cooked food ready to take home to eat. Wow! Luckily, she had the same faith in my work, and I worked in collaboration to come up with great branding, marketing collateral and store design solutions for this exciting new business venture.
European advertising campaign for high-quality furniture manufacturers. The concept was driven by showing the furniture with space to breathe, instead of showing room settings that sometimes get in the way of the product. This approach proved very successful, with a much higher coupon return level than previous campaigns.
Total redesign and redevelop of existing, but out-grown, website, with Ursh Richards (onlineiq) providing all the necessary back-end functionality to keep an organisation of this nature happy.
International Water History Association (IWHA) : Website
Joy Marshall is Joyful Fair, an amazing entrepreneur, with her heart and soul in the business of offering shopping choices to help create a
more equal and sustainable world and providing
economic opportunities to disadvantaged
communities to help break the cycle of poverty. It is a joy to work with
Joy (pun intended), and to know that the work I do for her, from logo
design to website (no longer live), really helps her to make a
difference.
Having worked with Justin Kirkwood for a number of years now, on projects for his diverse client base, it was fab when he came to me and we embarked on the journey to rebrand his own business, creating stationery, PowerPoint templates, advertising, a credentials brochure and, ultimately, a wonderfully slick brochure-style website, in collaboration with onlineiq.
Logo design and implementation across exterior/interior design, signage and colour scheme for a beach-front kiosk at Largs Bay. The retro beach theme has had great appeal, and has refreshed the kiosk beyond belief.
It was a pleasure to work on the rebranding for the newly-refurbished Largs Pier Hotel, and I am still thrilled with the result every time I pass by. The theme, created by Folland Panozzo Architects, was grand and exclusive, Raffles in its hey-day. So my appetite for art deco was satiated for some time! Design for stationery, signage, uniforms, menus, function packs, advertising and marketing collateral followed, in-keeping with the newly-established brand.
It was a pleasure to work on the rebranding for the newly-refurbished Largs Pier Hotel, and I am still thrilled with the result every time I pass by. The theme, created by Folland Panozzo Architects, was grand and exclusive, Raffles in its hey-day. So my appetite for art deco was satiated for some time! Design for stationery, a website (since replaced), signage, uniforms, menus, function packs, advertising and marketing collateral followed, in-keeping with the newly-established brand.
A creative rebranding journey for a specialised accounting practice, which included logo design, stationery, advertising and a brochure-style website, in collaboration with onlineiq.
Another referral through Mark Folland from Folland Panozzo Architects to work on the rebranding of the Old Bushman Hotel in Gawler, and then to roll out menus, advertising and venue signage.
From marketing collateral, brochures, fact sheets, POS and packaging, to trade displays, signage, advertising, web banners and their website (in collaboration with Light Bulb Digital), I have been doing it all for Oricom for many years now, and here’s hoping many more to come!
A collaborative entry in a
creative branding/advertising competition organised by AMI, SA. The proposal presented
a range of collateral including rationale for the choice of name, logo design, advertising,
adshels, posters, billboards, factsheets, stickers and a website.
Pacific Charity Brand First Blood Showdown : Press
I first met Leonie when she was a Neways (now Modere) rep and I was hooked. She is passionate about all things healthy – for herself, her family, her friends and clients, and for the planet. She is an inspiration! Amongst other things, Leonie is now very successfully catering and running cooking classes, specialising in vegetarian, vegan and raw foods. It was a pleasure to work with her designing her brand and stationery and I wish her continued success!
A very long-standing client, I have been working with SANTS since I first returned to Adelaide, initially as part of the service offering of the ALRM. Over the years (and in an ongoing fashion) I have designed their stationery, brochures, reports, publications (including internal newsletters and the Aboriginal Way newspaper), annual reports, strategic and business plans, and their website, with the savvy Ursh Richards (onlineiq).
South Australian Native Title Services (SANTS) : Website
Marayka
first approached me with the challenge of designing her logo some years
ago now. I say ‘challenge’ as initially I had no idea what she was
planning to do. On the phone she was very enigmatic, saying I would have
to wait until we met to learn what her exciting start-up business was
all about, but she assured me I would be a fan! And that I certainly am ; ) We brought Kym (Copyriot)
in to work on the business name and tagline, and I set about designing
her logo. This was then implemented across stationery, a
welcome pack and a custom brochure-style website, built, supported and
managed by onlineiq.
Initially a volunteer project through Corporates4Communities, a partnership between the South Australian government’s Office for Volunteers and HETA Incorporated that matches volunteers from businesses with community organisations in need of assistance. The task was to refresh the TADSA brand. The logo was cleaned up and redrawn and work subsequently completed across their suite of marketing collateral. More recently TADSA was looking for a refreshed brand to go with their refreshed name and I was engaged to design this on a paid basis, and thence to apply the new brand across their marketing collateral, including stationery, brochures, banners and website graphics.
Technology for Ageing and Disability (SA) Inc (TADSA) : Logo
Category →
logos
Date →
Client →
Technology for Ageing and Disability (SA) Inc (TADSA)
Initially a volunteer project through Corporates4Communities, a partnership between the South Australian government’s Office for Volunteers and HETA Incorporated that matches volunteers from businesses with community organisations in need of assistance. The task was to refresh the TADSA brand. The logo was cleaned up and redrawn and work subsequently completed across their suite of marketing collateral. More recently TADSA was looking for a refreshed brand to go with their refreshed name and I was engaged to design this on a paid basis, and thence to apply the new brand across their marketing collateral, including stationery, brochures, banners and website graphics.
Technology for Ageing and Disability (SA) Inc (TADSA) : Signage
Category →
signage
Date →
Client →
Technology for Ageing and Disability (SA) Inc (TADSA)
The
Candle Factory owner Zoe Gray, and her husband Sean, came to me
initially to update their logo. Further collateral followed, with
stationery, marketing material, signage, packaging and an online
shop-style website (which has since been replaced). Later I went on to
help them to develop their new brand, primarily for the online market,
but with a shop in Queensland – The Candle Shoppe.
Having worked on The Candle Factory brand with owner Zoe Gray, it was a pleasure to be involved in helping to develop a new brand, including stationery and a website (no longer live), primarily for the online market, but with a shop in Queensland. It needed old world charm with a contemporary twist, and warmth, of course! The result says it all.
Trade magazine advertising campaign for elite business travel company, to introduce a new energetic, achieving, people-focused image and convey the core message of exceeding expectations.
Logo designed to ‘brand’ The Weekend Academy (WKD), an art academy in north London set up to extend access to the facilities of the Byam Shaw School of Art Central Saint Martins to the broader community, as part of a widening participation initiative.
The Weekend Academy : Logo
Category →
logos
Date →
Client →
The Weekend Academy at Byam Shaw School of Art Central Saint Martins
Initially I started working with Deb Froome on a volunteer basis, as an enabler in her classes, mainly helping students to make marks, or get rid of them! I then started designing invitations and flyers promoting private views, classes and exhibitions for The Weekend Academy (WKD), an art academy in north London set up to extend access to the facilities of Byam Shaw School of Art Central Saint Martins to the broader community, as part of a widening participation initiative. This led to paid work with Deb, designing and developing a website, and materials for her WKD Art is great! initiative. These comprised teacher’s workbooks for an eight session course in large scale portrait painting and a five session course in simple animation, based on the experience gained while running workshops with students and staff from Pupil Referral Units in north London, along with image sheets and marketing collateral. It was a sad day for us when Central Saint Martins closed The Weekend Academy project, it really was such a fabulous initiative. But the legend lives on!
The Weekend Academy : Website
Category →
online
Date →
Client →
The Weekend Academy at Byam Shaw School of Art Central Saint Martins
Another rather opportune connection, this client found me using a Google search! I was then engaged to work on their annual report, reception and building signage and other collateral, including a new logo design.
Logo, stationery, posters, flyers,
advertising, signage and programs for an amazing initiative of music enthusiast
Ian Main (2011 Leafy Sea Dragon Festival Coordinator), in the shape of
an ‘all-comers welcome’ annual music festival on the Fleurieu Coast.
Wirrina Bluegrass (and Acoustic Roots) Festival : Press
Category →
press
Date →
Client →
Wirrina Bluegrass (and Acoustic Roots) Festival
Location →
Wirrina Cove
Project URL →
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A client of mine was\nbreaking away to start her own endeavour as a midwife providing holistic\npregnancy, birth and postnatal care to women and their families. She\ncame to me with a fabulous concept that needed refining, and with a\nlittle magic, her beautiful new logo was born! This was then applied to\nstationery, flyers, advertising, product labelling and a website (a\ncollaboration with Urszula Richards, onlineiq), all designed to reflect\nthe\n‘earthiness’ of her own approach. \n
A client of mine was\nbreaking away to start her own endeavour as a midwife providing holistic\npregnancy, birth and postnatal care to women and their families. She\ncame to me with a fabulous concept that needed refining, and with a\nlittle magic, her beautiful new logo was born! This was then applied to\nstationery, flyers, advertising, product labelling and a website (a\ncollaboration with Urszula Richards, onlineiq), all designed to reflect\nthe\n‘earthiness’ of her own approach. \n
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Logo/branding for an exciting new concert series for Elder Hall. With the introduction of newly-built screens to divide the hall’s seating capacity, a space was created where audiences could enjoy a more ‘intimate’ experience.
Another very seredipitous connection. Whilst in the Clare Valley back in 2009, with a friend/client Lorraine McLoughlin (who was promoting her then recently self-published bookBarbara Robertson: An Australian artist’s life), and her husband Peter Fitzgerald (an amazing artist), I stumbled upon the cellar door at Eldredge Vineyards before (or maybe after ) lunch at Skillogalee with Peter. Winemaker Leigh Eldredge greeted us warmly and talked us through the wines with knowledge and passion, and asked what we were up to. Anyway, one thing led to another, and I was engaged to update the design of their labels for the next bottling of their wonderful (award-winning) wines. The design is still in use today and the wines are just as fabulous, if not (maturingly) better!\n
Another very seredipitous connection. Whilst in the Clare Valley back in 2009, with a friend/client Lorraine McLoughlin (who was promoting her then recently self-published bookBarbara Robertson: An Australian artist’s life), and her husband Peter Fitzgerald (an amazing artist), I stumbled upon the cellar door at Eldredge Vineyards before (or maybe after ) lunch at Skillogalee with Peter. Winemaker Leigh Eldredge greeted us warmly and talked us through the wines with knowledge and passion, and asked what we were up to. Anyway, one thing led to another, and I was engaged to update the design of their labels for the next bottling of their wonderful (award-winning) wines. The design is still in use today and the wines are just as fabulous, if not (maturingly) better!\n
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Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist’s life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon ‘icon’ is taken from a painting by George Tetlow, one of the subjects in Lorraine’s recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a patron of this wonderful Festival. Roll on 2021!
Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist’s life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon ‘icon’ is taken from a painting by George Tetlow, one of the subjects in Lorraine’s recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a patron of this wonderful Festival. Roll on 2021!
Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist's life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon 'icon' is taken from a painting by George Tetlow, one of the subjects in Lorraine's recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a Patron of this wonderful Festival. Roll on April!\n
Well, where do I start? The beginning, I guess. Hope you are seated ; ) Festival Fleurieu started its life back in 2005 as the Leafy Sea Dragon Festival, the brainchild of friend/client Lorraine McLoughlin, to showcase the artists, arts, heritage, landscape and community of the Yankalilla district. It is now a multi-award-winning biennial celebration spanning 16 days, with over 100 events in more than 50 venues across the district. I was introduced to Lorraine in mid-2008 to begin work on her first self-published book (Barbara Robertson: An Australian artist's life) and on her recommendation I became involved in the lead up to the 2011 Festival. I am proud to have supported the last four Festivals, providing my services pro bono, including refreshing the logo (the leafy sea dragon 'icon' is taken from a painting by George Tetlow, one of the subjects in Lorraine's recent book George Tetlow and Mark and Jill Pearse: Lives in art), designing stationery, posters, advertising, banners, and extensive programs and websites (with Murray Russell and Urszula Richards). As well as project managing, organising print/production and bringing in worthy collaborators along the way. And it is my greatest pleasure, and a huge honour, to be a Patron of this wonderful Festival. Roll on April!\n
Having worked with Mark Folland of Folland Panozzo Architects on the Largs Pier Hotel rebranding project, I was approached to design their own logo and implement this across stationery, signage and a website.
Having worked with Mark Folland of Folland Panozzo Architects on the Largs Pier Hotel rebranding project, I was approached to design their own logo and implement this across stationery, signage and a website.
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The HCSA approached me initially to design their logo and website (another collaboration with onlineiq). Their new brand was then implemented across stationery, marketing collateral, PowerPoint templates and pull-up banners, culminating in a comprehensive brand guidelines document, to ensure brand integrity into the future.
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The HCSA approached me initially to design their logo and website (another collaboration with onlineiq). Their new brand was then implemented across stationery, marketing collateral, PowerPoint templates and pull-up banners, culminating in a comprehensive brand guidelines document, to ensure brand integrity into the future.
","Image-2":"","Image-3":"","Image-4":"","Image-5":"","Image-6":"","Image-7":"","Image-8":"","full_slug":"//history-council-of-south-australia-hcsa-website"},{"id":"513","properties":{"name":"Hot to Trot Gourmet : Signage","slug":"hot-to-trot-gourmet-signage","enabled":true,"expiry_date":2145916800,"release_date":1513641600,"webapp_field_2_1":"Hot to Trot Gourmet","webapp_field_2_2":"images/portfolio/htt-sign01.jpg","webapp_field_2_18":["signage"],"webapp_field_2_19":"Adelaide","webapp_field_2_22":"When approached about this project I was immediately passionate and believed that it would revolutionise my life. As soon as Donna opened her doors, I was there! And I kept going back. Home-cooked food ready to take home to eat. Wow! 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As soon as Donna opened her doors, I was there! And I kept going back. Home-cooked food ready to take home to eat. Wow! Luckily, she had the same faith in my work, and I worked in collaboration to come up with great branding, marketing collateral and store design solutions for this exciting new business venture.","Image-2":"","Image-3":"","Image-4":"","Image-5":"","Image-6":"","Image-7":"","Image-8":"","full_slug":"//hot-to-trot-gourmet-signage"},{"id":"514","properties":{"name":"Hulsta Furniture : Press","slug":"hulsta-furniture-press","enabled":true,"expiry_date":2145916800,"release_date":1513641600,"webapp_field_2_1":"Horrex Davis Design Associates (HDDA)","webapp_field_2_2":"images/portfolio/hulsta-ad01.jpg","webapp_field_2_3":"images/portfolio/hulsta-ad02.jpg","webapp_field_2_4":"images/portfolio/hulsta-ad03.jpg","webapp_field_2_16":["press"],"webapp_field_2_19":"London","webapp_field_2_22":"European advertising campaign for high-quality furniture manufacturers. 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The concept was driven by showing the furniture with space to breathe, instead of showing room settings that sometimes get in the way of the product. This approach proved very successful, with a much higher coupon return level than previous campaigns.","Image-2":"images/portfolio/hulsta-ad02.jpg","Image-3":"images/portfolio/hulsta-ad03.jpg","Image-4":"","Image-5":"","Image-6":"","Image-7":"","Image-8":"","full_slug":"//hulsta-furniture-press"},{"id":"518","properties":{"name":"International Water History Association (IWHA) : Website","slug":"international-water-history-association-iwha-website","enabled":true,"expiry_date":2145916800,"release_date":1451865600,"webapp_field_2_1":"International Water History Association (IWHA)","webapp_field_2_2":"images/portfolio/iwha-website.jpg","webapp_field_2_15":["online"],"webapp_field_2_19":"The Netherlands","webapp_field_2_20":"http://www.iwha.net/","webapp_field_2_22":"
Total redesign and redevelop of existing, but out-grown, website, with Ursh Richards (onlineiq) providing all the necessary back-end functionality to keep an organisation of this nature happy. \n
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Total redesign and redevelop of existing, but out-grown, website, with Ursh Richards (onlineiq) providing all the necessary back-end functionality to keep an organisation of this nature happy. \n
Joy Marshall is Joyful Fair, an amazing entrepreneur, with her heart and soul in the business of offering shopping choices to help create a\nmore equal and sustainable world and providing\neconomic opportunities to disadvantaged\ncommunities to help break the cycle of poverty. It is a joy to work with\nJoy (pun intended), and to know that the work I do for her, from logo\ndesign to website (no longer live), really helps her to make a\ndifference. \n
Joy Marshall is Joyful Fair, an amazing entrepreneur, with her heart and soul in the business of offering shopping choices to help create a\nmore equal and sustainable world and providing\neconomic opportunities to disadvantaged\ncommunities to help break the cycle of poverty. It is a joy to work with\nJoy (pun intended), and to know that the work I do for her, from logo\ndesign to website (no longer live), really helps her to make a\ndifference. \n
Having worked with Justin Kirkwood for a number of years now, on projects for his diverse client base, it was fab when he came to me and we embarked on the journey to rebrand his own business, creating stationery, PowerPoint templates, advertising, a credentials brochure and, ultimately, a wonderfully slick brochure-style website, in collaboration with onlineiq. \n
Having worked with Justin Kirkwood for a number of years now, on projects for his diverse client base, it was fab when he came to me and we embarked on the journey to rebrand his own business, creating stationery, PowerPoint templates, advertising, a credentials brochure and, ultimately, a wonderfully slick brochure-style website, in collaboration with onlineiq. \n
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Logo design and implementation across exterior/interior design, signage and colour scheme for a beach-front kiosk at Largs Bay. The retro beach theme has had great appeal, and has refreshed the kiosk beyond belief.
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Logo design and implementation across exterior/interior design, signage and colour scheme for a beach-front kiosk at Largs Bay. The retro beach theme has had great appeal, and has refreshed the kiosk beyond belief.
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It was a pleasure to work on the rebranding for the newly-refurbished Largs Pier Hotel, and I am still thrilled with the result every time I pass by. The theme, created by Folland Panozzo Architects, was grand and exclusive, Raffles in its hey-day. So my appetite for art deco was satiated for some time! Design for stationery, signage, uniforms, menus, function packs, advertising and marketing collateral followed, in-keeping with the newly-established brand. \n
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It was a pleasure to work on the rebranding for the newly-refurbished Largs Pier Hotel, and I am still thrilled with the result every time I pass by. The theme, created by Folland Panozzo Architects, was grand and exclusive, Raffles in its hey-day. So my appetite for art deco was satiated for some time! Design for stationery, a website (since replaced), signage, uniforms, menus, function packs, advertising and marketing collateral followed, in-keeping with the newly-established brand. \n
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I first met Leonie when she was a Neways (now Modere) rep and I was hooked. She is passionate about all things healthy – for herself, her family, her friends and clients, and for the planet. She is an inspiration! Amongst other things, Leonie is now very successfully catering and running cooking classes, specialising in vegetarian, vegan and raw foods. It was a pleasure to work with her designing her brand and stationery and I wish her continued success!
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A very long-standing client, I have been working with SANTS since I first returned to Adelaide, initially as part of the service offering of the ALRM. Over the years (and in an ongoing fashion) I have designed their stationery, brochures, reports, publications (including internal newsletters and the Aboriginal Way newspaper), annual reports, strategic and business plans, and their website, with the savvy Ursh Richards (onlineiq).
Marayka\nfirst approached me with the challenge of designing her logo some years\nago now. I say ‘challenge’ as initially I had no idea what she was\nplanning to do. On the phone she was very enigmatic, saying I would have\nto wait until we met to learn what her exciting start-up business was\nall about, but she assured me I would be a fan! And that I certainly am ; ) We brought Kym (Copyriot)\nin to work on the business name and tagline, and I set about designing\nher logo. This was then implemented across stationery, a\nwelcome pack and a custom brochure-style website, built, supported and\nmanaged by onlineiq.
Marayka\nfirst approached me with the challenge of designing her logo some years\nago now. I say ‘challenge’ as initially I had no idea what she was\nplanning to do. On the phone she was very enigmatic, saying I would have\nto wait until we met to learn what her exciting start-up business was\nall about, but she assured me I would be a fan! And that I certainly am ; ) We brought Kym (Copyriot)\nin to work on the business name and tagline, and I set about designing\nher logo. This was then implemented across stationery, a\nwelcome pack and a custom brochure-style website, built, supported and\nmanaged by onlineiq.
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“Alison is quick to grasp a brief, quick in creating innovative design solutions that meet the brief, and quick to apply the agreed design to the a wide range of materials…”
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“Alison exceeds our expectations with her vision, creativity and foresight and gives easily her passion and integrity with every job.”
“She gets a brief and before you know it she’s shot back several ideas. Someone we couldn’t live without!”
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“She gets a brief and before you know it she’s shot back several ideas. Someone we couldn’t live without!”
“Her advice around my website, brochure and business card has always been spot-on and her relentless availability was fantastic as we were working to demanding deadlines.”
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“Her advice around my website, brochure and business card has always been spot-on and her relentless availability was fantastic as we were working to demanding deadlines.”
“Having worked with Alison on a number of projects I can only say what a pleasure it is to work with such a talented professional.”
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“Having worked with Alison on a number of projects I can only say what a pleasure it is to work with such a talented professional.”
“Alison brings a blend of honesty, reliability, innovation and creativity, which is packaged nicely with a wonderful dose of good old fashioned common sense.”
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“Alison brings a blend of honesty, reliability, innovation and creativity, which is packaged nicely with a wonderful dose of good old fashioned common sense.”
“Our experience of working with Alison is that she is very quick to grasp our requirements, and is very easy to work with to achieve our desired goals.”
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“Our experience of working with Alison is that she is very quick to grasp our requirements, and is very easy to work with to achieve our desired goals.”
“As well as being highly skilled and very experienced, she is quick on the uptake and gets on well with anyone.”
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“As well as being highly skilled and very experienced, she is quick on the uptake and gets on well with anyone.”
“As well as the great results, I absolutely love working with her. Actually, she’s so good I wish she’d remain a bit of a secret!”
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“As well as the great results, I absolutely love working with her. Actually, she’s so good I wish she’d remain a bit of a secret!”
“Alison is great to work with – very friendly, professional and flexible. She keeps you in the loop while on an assignment so you know what stage she’s working on at any given time.”
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“Alison is great to work with – very friendly, professional and flexible. She keeps you in the loop while on an assignment so you know what stage she’s working on at any given time.”
“I have no hesitation in recommending Alison to any of my clients who request graphic design that will make their company stand out.”
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“I have no hesitation in recommending Alison to any of my clients who request graphic design that will make their company stand out.”
“Without Alison’s imaginative flair and ability to interpret our wishes, we wouldn’t have the fabulous website we now have.”
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“Without Alison’s imaginative flair and ability to interpret our wishes, we wouldn’t have the fabulous website we now have.”
“Alison offers a great design service that provides innovative solutions in a timely manner.”
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“Alison offers a great design service that provides innovative solutions in a timely manner.”
“Alison is a gem to work with. She listens to your desired outcomes, provides realistic timelines, works efficiently (without drama), doesn’t charge exorbitant prices, loves to laugh…”
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“Alison is a gem to work with. She listens to your desired outcomes, provides realistic timelines, works efficiently (without drama), doesn’t charge exorbitant prices, loves to laugh…”
“Alison is talented, experienced and intuitive. She is wise enough and skilled enough to take my semi-coherent babble and interpret it, then promptly create the designs I need.”
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“Alison is talented, experienced and intuitive. She is wise enough and skilled enough to take my semi-coherent babble and interpret it, then promptly create the designs I need.”
“The thing that strikes me most about Alison is her ‘can-do’ attitude to all projects she works on, no matter how big or small.”
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“The thing that strikes me most about Alison is her ‘can-do’ attitude to all projects she works on, no matter how big or small.”
“To improve the service she provides further Alison will need to consider cloning.”
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“To improve the service she provides further Alison will need to consider cloning.”
“Her ability, personality and dedication speak for themselves in ensuring great outcomes for employers and clients alike.”
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“Her ability, personality and dedication speak for themselves in ensuring great outcomes for employers and clients alike.”
“I’ve known Alison for over 20 years and she is a pro-artist. She is a solid designer who works through the night to get the results.”
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“I’ve known Alison for over 20 years and she is a pro-artist. She is a solid designer who works through the night to get the results.”
“Alison was my ‘go-to’ person for graphic design. I LOVED and so appreciated her friendly nature, ‘can-do’ attitude and quick responsiveness.”
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“Alison was my ‘go-to’ person for graphic design. I LOVED and so appreciated her friendly nature, ‘can-do’ attitude and quick responsiveness.”
“She had no trouble in adapting to the style of work we needed to produce and always managed to create imagery that was fresh and interesting.”
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“She had no trouble in adapting to the style of work we needed to produce and always managed to create imagery that was fresh and interesting.”
“If you want to be a step ahead then you should not hesitate to call Alison Fort – she is brilliant and ahead of her game.”
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“If you want to be a step ahead then you should not hesitate to call Alison Fort – she is brilliant and ahead of her game.”
“While her work speaks for itself, her speed, efficiency, dedication and ability to interpret a brief are the added extras that step her even further in front of the pack.”
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“While her work speaks for itself, her speed, efficiency, dedication and ability to interpret a brief are the added extras that step her even further in front of the pack.”
“My own business has grown significantly since I met Alison as a result of the fine quality of her graphic work, her patience and the people connection which she shares…”
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“My own business has grown significantly since I met Alison as a result of the fine quality of her graphic work, her patience and the people connection which she shares…”
“If you have a good product you need to present it to your audience in the best possible light. Our Festival had been struggling to achieve this until Alison came on board.”
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“If you have a good product you need to present it to your audience in the best possible light. Our Festival had been struggling to achieve this until Alison came on board.”
“Brilliant, professional and ahead of the pack. She delivers high-quality work with flair and passion, every time. Nothing is too much trouble.”
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“Brilliant, professional and ahead of the pack. She delivers high-quality work with flair and passion, every time. Nothing is too much trouble.”
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Originally working with TMP Worldwide in Adelaide to create a brand identifier/logo for the Olympic Dam Expansion, which culminated in an extensive usage guidelines document, as well as working with the Sydney branding team in the creation of recruitment campaigns, ad templates and a brochure. Following on to work direct and design internal signage and pull-up banners for the BHP Billiton office here in Adelaide.
Originally working with TMP Worldwide in Adelaide to create a brand identifier/logo for the Olympic Dam Expansion, which culminated in an extensive usage guidelines document, as well as working with the Sydney branding team in the creation of recruitment campaigns, ad templates and a brochure. Following on to work direct and design internal signage and pull-up banners for the BHP Billiton office here in Adelaide.
Chinese language resource catalogues.
Logo design, stationery and signage for a new eatery in Murray Street, Angaston.
Initially I was introduced to CRANAplus by one of my printers, whilst at the same time referred by another client, and was then engaged to revamp their quarterly magazine. This was back in early 2010 and I have had the pleasure of working with them ever since, working across all their collateral, including annual reports, annual conference programs and other conference materials, course training manuals, posters and flyers, advertising and stationery. I am happy to have built up strong, collaborative working relationships with many members of staff across the country, and am proud and happy to be part of the CRANAplus team.
Promotional material including mailers, tent cards, posters, door and floor signs, EDM and web banners for seasonal shopping centre marketing campaigns.
Advertising, invitations and product catalogues for a local importer, wholesaler and retailer of all things Japanese.
Sub-brand logo development, stationery and marketing collateral for a Sydney-based company delivering leading-edge communications technology.
National UK magazine advertising campaign for exclusive watch manufacturers.
International launch campaign for the marine fuels division of newly-merged Exxon Mobil. The campaign appeared in global shipping trade press where it achieved major stand-out over other advertisers and editorial.
European advertising campaign for high-quality furniture manufacturers. The concept was driven by showing the furniture with space to breathe, instead of showing room settings that sometimes get in the way of the product. This approach proved very successful, with a much higher coupon return level than previous campaigns.
Another referral through Mark Folland from Folland Panozzo Architects to work on the rebranding of the Old Bushman Hotel in Gawler, and then to roll out menus, advertising and venue signage.
Trade magazine advertising campaign for elite business travel company, to introduce a new energetic, achieving, people-focused image and convey the core message of exceeding expectations.
Another rather opportune connection, this client found me using a Google search! I was then engaged to work on their annual report, reception and building signage and other collateral, including a new logo design.
